Specialised identification and museum-grade preservation for institutional and private collections
I have reviewed Phasmatodea collections at dozens of institutions. In the vast majority of them I found species new to science.
This matters to museums — and not just for prestige: a museum without type material is, in practice, an exhibition hall. A museum with type material is critical infrastructure for global science.
Over the last decade, my research work has taken me to review Phasmatodea collections at dozens of museums and universities worldwide. Among them, some of the most important institutions internationally: the NHMUK (London), the NHMW (Vienna), the MNCN-CSIC (Madrid), the Smithsonian Tropical Research Institute (Panama) and the ZSM in Munich, where I am an associate researcher.
I know these institutions first-hand: their working protocols, how they manage collections, and how they engage with external researchers.
The image alongside shows the preparation standard I bring: a mounting quality that, in Phasmatodea, is rarely found in institutional collections.
Phasmids are a particularly delicate group to prepare. Their morphology demands precision: a poorly mounted specimen loses the diagnostic characters that make it scientifically useful, and the damage is usually irreversible.
Assessment of the collection's status: number of specimens, conservation condition, existing identification level and institutional objectives.
Work plan with timeline, specific methodology and budget adjusted to available resources.
Work at the institution, with shipments, or remote review by photograph. The approach is decided according to the type of material, always prioritising its integrity.
Updated catalogue, professional labels, digital database where applicable, and recommendations for future maintenance.
My speciality is neotropical phasmids, but I work with Phasmatodea collections from any region of the world. I have reviewed material from every continent.
Yes. My specialisation is exclusively in stick and leaf insects. For other orders I can recommend specialist colleagues.
Not always. For small batches or a preliminary evaluation I can work with photographs or with material sent with appropriate packaging. For large collections, historical holdings or type specimens that should not be moved, I travel to the institution. We assess the most practical option in the first call.
It depends on the size and condition of the material. As a reference: from 2–3 days of work for a small, well-preserved batch, to several months for a historical collection of thousands of uncatalogued specimens. The initial audit allows me to give a concrete estimate.
Yes, I can include training sessions in Phasmatodea handling and preservation as part of the project.
Tell me what you have: approximate number of specimens, provenance and condition. If you have unidentified material or identifications you suspect are outdated, the quickest step is to send me a representative photograph — in ten minutes I can tell you whether it's worth talking.
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